Isbens A Dolls House Essay -- essays research papers

Nora Helmer as a Doll In Isben's, A Dolls House Nora, the protagonist is treated like a doll - the property of Torvald Helmer. In Act I, there are many clues that hint at the kind of marriage Nora and Torvald have. It seems that Nora is a doll controlled by Torvald. She relies on him for everything, from movements to thoughts, much like a puppet that is dependent on its puppet master for all of its actions. The most obvious example of Torvald's physical control over Nora is his re-teaching her the tarantella. Nora pretends that she needs Torvald to teach her every move in order to relearn the dance. This act shows her submissiveness to Torvald. After he teaches her the dance, he proclaims "When I saw you dance the tarantella, like a huntress, a temptress, my blood grew hot, I could...

Great Gatsby and Araby Essay

In â€Å"Araby,† an allegorical short story from his compilation, Dubliners, author James Joyce depicts his homeland of Ireland as a paralyzing and morally filthy environment. The young protagonist is an unknowing victim of society’s preoccupation with materialism, and in his rush to grow up accepts its distorted views of wealth and love as truth. Conversely, Jay Gatsby, from F. Scott Fitzgerald’s The Great Gatsby, tries to win back the heart of Daisy Buchanan through his obsessive attempts to repeat the past. In each work, the male lead resorts to monetary extremes to capture the attention of his female counterpart under the false notion that love can be purchased. While the boy hopes that a gift will win the affection of his friend’s sister, Gatsby desperately strives to woo Daisy with his bootlegging spoils. Some are able to escape the influence society exerts, while others remain fixated on vanity. Each author manipulates color and shade to epitomize t he materialism of adulthood and the confusion of love of wealth with genuine love. The protagonist of â€Å"Araby† fantasizes about growing up enough to attain the love of his friend’s sister. Because the young boy believes he is in love, he elevates himself above his peers. He isolates himself in his dark attic and watches his companions â€Å"playing below in the street,† their cries â€Å"weakened and indistinct † (Joyce 24). Although he tries to ignore them, the voices of his childhood freedom still reach the boy no matter how much he tries to separate himself. The boy discounts â€Å"some distant lamp or lighted window gleam[ing] below† on his peers, abandoning the light of childhood while he exercises a feeling of superiority (Joyce 23). By distancing himself from his coequals, he embarks on a vainglorious quest to prematurely reach adulthood, thereby reducing the value of childhood innocence. His quest, however, succeeds only in pressing him further into the darkness of adult ideals. Adults face greater challenges and have more responsibility than children do; it is easier for them to forsake their morals than to leave materialistic values behin d. Because they ignore their values, adults are of a far lesser innocence than the children they are meant to teach and thus exert a negative influence on their unknowing pupils. The boy learns from his surroundings that purchasing love is the only acceptable path to attaining happiness and growth. Mangan’s sister â€Å"turns the silver bracelet round and round her wrist,† drawing the boy into the superficiality of adulthood (Joyce 24). However, because he sees the girl as â€Å"defined by light,† he mistakenly confuses the ideas of wealth and happiness (Joyce 22). The combination of materialism and happiness makes it difficult to determine the meaning of either. Rather than developing a relationship based on mutual interest, the boy tries to buy the girl’s love. When he is unable to purchase a gift for her, he finds himself in a â€Å"completely dark† environment (Joyce 26). The boy immediately epiphanizes that he is â€Å"a creature driven and derided by vanity,† signifying that light can emerge out of darkness (Joyce 26). His cognizance no longer allows surrounding influences of materialism to grip him; he realizes love is not a commodity. Mistakes are necessary for moral growth, therefore the young boy needed to suffer vanity and the consequences of his own greed to realize that wealth alone cannot fulfill happiness. His challenges become the outlet through which he ascertains the shallowness of the adult world, ultimately subjugating his influences. By vanquishing them, the boy discerns the genuine love depicted by light. Fitzgerald juxtaposes the obsessively nostalgic Jay Gatsby with Joyce’s young boy who hastily looks forward to adulthood. Despite Gatsby’s seniority, he and the boy both believe they can purchase their beloveds’ affection. Gatsby views wealth as the equivalent of self-worth; his doomed sense of hope justifies his illusion. He optimistically watches the green light at the end of the Buchanan’s dock, â€Å"minute and far away,† with his â€Å"arms stretched out toward the dark water† (Fitzgerald 26). Gatsby reaches for Daisy with profound determination, but bases his resolve on the crooked belief that his grandiose home and expensive clothes will win her love. His materialistic concerns create an impassable gap, placing true love out of reach. Lights on the other side of the water appear greener and grander, causing Gatsby to ignorantly believe that is where happiness originates. The intrinsic confusion of wealth and happiness deprives Gatsby of a truly fulfilled life. Thinking his new affluence will please Daisy, Gatsby draws her attention to his new Rolls Royce. However, the association of Gatsby’s yellow car with â€Å"restlessness†¦with power†¦and finally with death† (Parkinson 41) foreshadows destruction. Even after Daisy accidentally kills Myrtle Wilson with the yellow car, Gatsby still fails to see the uncontrollable dangers of greed . Wealth only consumes those who attain it, spitting failure into their faces when it ceases to satiate their avarice . Gatsby’s picturesque opulence deteriorates to frustration because money cannot make him happy. Rather than accepting this conclusion, he dons an elegant wardrobe â€Å"which echoes Daisy’s attributes of white, gold, and silver† (Parkinson 47). Gatsby believes his â€Å"white flannel suit†¦and gold colored necktie† will attract Daisy under the guise of suave elegance (Fitzgerald 89). The double entendre, however, is that the gold necktie resting around his throat parallels wealth’s threat to choke off his credibility, sanity, and ultimately, life-force. Although Gatsby actively perpetuates his superficial ambition, Daisy simply allows life to unfold around her. Fitzgerald parallels Daisy’s floral namesake with her white exterior and tainted yellow interior. Wealth rots her to her core, though she maintains a pretense of purity, always â€Å"dressed in white† (Fitzgerald 127). Daisy enjoys her trivial existence only because she has the means to do so. Without wealth to distract her from her meaningless life, she would feel empty and worthless. Contentment based solely on the availability of money inevitably crumbles and fades away, landing in the colorless, desolate Valley of Ashes. With an ever-looming presence, the sign of Doctor T. J. Eckleberg looks over this valley of lost dreams through faded yellow glasses. No matter how willful the dreamer, visionaries with greedy ambitions must endure cruel judgment. These individuals poison their own lives and become soulless shells, unable to muster the same determination again. The green light he strives for becomes â€Å"distant and unattainable† even though Gatsby never truly gives up on winning back Daisy (Parkinson 46). The spoils of his wealth decay to worthlessness and loneliness; in failing to realize his mistakes, he leaves behind a sparsely attended funeral and an unprincipled legacy. Despite all that he fought for, Gatsby forsakes true happiness for the false love he derives from exploiting wealth.

Psychoanalysis and Transference

It is common for people to transfer feelings from their parents to their partners or children (i. e. , cross-generational entanglements). For instance, one could mistrust somebody who resembles an ex-spouse in manners, voice, or external appearance, or be overly compliant to someone who resembles a childhood friend. In The Psychology of the Transference, Carl Jung states that within the transference dyad both participants typically experience a variety of opposites, that in love and in psychological growth, the key to success is the ability to endure the tension of the opposites without abandoning the process, and that this tension allows one to grow and to transform. Only in a personally or socially harmful context can transference be described as a pathological issue. A modern, social-cognitive perspective on transference, explains how it can occur in everyday life. When people meet a new person that reminds them of someone else, they unconsciously infer that the new person has traits similar to the person previously known. This perspective has generated a wealth of research that illuminated how people tend to repeat relationship patterns from the past in the present. High-profile serial killers often transfer unresolved rage toward previous love or hate-objects onto â€Å"surrogates,† or individuals resembling or otherwise calling to mind the original object of that hate. In the instance of Ted Bundy, he repeatedly killed brunette women who reminded him of a previous girlfriend with whom he had become infatuated, but who had ended the relationship, leaving Ted rejected and pathologically rageful. This notwithstanding, Bundy's behaviours could be considered pathological insofar as he may have had Narcissistic or Antisocial personality disorder. If so, normal transference mechanisms can not be held causative of his homicidal behavior. Sigmund Freud held that transference plays a large role in male homosexuality. In The Ego and the Id, he claimed that eroticism between males can be an outcome of a â€Å"[psychically] non-economic† hostility, which is unconsciously subverted into love and sexual attraction. There is, however, no empirical evidence for Freud's viewpoint, and this hypothesis of the development of homosexuality, and the belief that it can be treated or cured by psychoanalysis, has been discredited. Transference and countertransference during psychotherapy In a therapy context, transference refers to redirection of a patient's feelings for a significant person to the therapist. Transference is often manifested as an erotic attraction towards a therapist, but can be seen in many other forms such as rage, hatred, mistrust, parentification, extreme dependence, or even placing the therapist in a god-like or guru status. When Freud initially encountered transference in his therapy with patients, he thought he was encountering patient resistance, as he recognized the phenomenon when a patient refused to participate in a session of free association. But what he learned was that the analysis of the transference was actually the work that needed to be done: â€Å"the transference, which, whether affectionate or hostile, seemed in every case to constitute the greatest threat to the treatment, becomes its best tool†. The focus in psychodynamic psychotherapy is, in large part, the therapist and patient recognizing the transference relationship and exploring the relationship's meaning. Since the transference between patient and therapist happens on an unconscious level, psychodynamic therapists who are largely concerned with a patient's unconscious material use the transference to reveal unresolved conflicts patients have with childhood figures. Countertransference[11] is defined as redirection of a therapist's feelings toward a patient, or more generally, as a therapist's emotional entanglement with a patient. A therapist's attunement to their own countertransference is nearly as critical as understanding the transference. Not only does this help therapists regulate their emotions in the therapeutic relationship, but it also gives therapists valuable insight into what patients are attempting to elicit in them. For example, a therapist who is sexually attracted to a patient must understand the countertransference aspect (if any) of the attraction, and look at how the patient might be eliciting this attraction. Once any countertransference aspect has been identified, the therapist can ask the patient what his or her feelings are toward the therapist, and can explore how those feelings relate to unconscious motivations, desires, or fears. Another contrasting perspective on transference and countertransference is offered in Classical Adlerian psychotherapy. Rather than using the patient's transference strategically in therapy, the positive or negative transference is diplomatically pointed out and explained as an obstacle to cooperation and improvement. For the therapist, any signs of countertransference would suggest that his or her own personal training analysis needs to be continued to overcome these tendencies.

Monetary Policy and the Federal Reserve essays

Monetary Policy and the Federal Reserve essays Money doesnt grow on trees. How often has one heard that cliche? But if horticulture cannot produce dollars and cents, then how is money created? One rather flip answer might be that moneys value is created because the government says so. Despite the sarcasm inherent in this comment, there is a trace of accuracy to the statement. Money is essentially an empty thing, a placeholder rather than a substance of actual value. Once upon a time, the gold standard held sway, meaning that all U.S. funds were backed by gold held in the vaults of Fort Knox. However, this is no longer the case. The abandonment of convertibility of money into a commodity since August 15, 1971, when President Nixon discontinued converting U.S. dollars into gold at $35 per ounce, causing most other nations to follow suit, has made the U.S. and other countries' monies into fiat money-money that national monetary authorities have the power to issue without legal constraints. (Schwartz, 2002) To prevent the willy-nilly printing of money and inflationary growth, the Federal Reserve enforces certain constraints upon the circulation of money. For example, the Federal Reserve requires commercial banks and other financial institutions to hold as reserves a fraction of the deposits they accept. Banks hold these reserves either as cash in their vaults or as deposits at Federal Reserve banks. (Schwartz, 2002) This policy was put into place partially to prevent bank runs, or the phenomenon of people being unable to borrow money because the bank had lent such a wide percentage of available dollars to other patrons. To manipulate the amount of circulating currency in the economy, the Federal Reserve can either raise or lower the national reserve requirement for member banks. If banks must hold a higher level of funds in reserve, the banks will have less money to lend, thus the money su...

Caskets Of Fortune Essays - Orientalism, The Merchant Of Venice

Caskets Of Fortune Essays - Orientalism, The Merchant Of Venice Caskets Of Fortune Caskets of Fortune Word is spread, a fair maiden awaits suiters to challenge the puzzle to win her hand and marriage, and in wealth. Her father has passed away, leaving her with only a memory of him, and more dumbfounded suiters come and challenge to see if they really are the one to inherit the fortune. There are three caskets, First of gold, who this inscription bears: Who Chooseth me shall gain what many men desire, The second silver, which this promise carries: Who Chooseth me shall get as much as he deserves. This third dull lead, with warning all as blunt: Who Chooseth me must give and hazard all he hath. The suiters are The Prince of Morocco, a self absorbed sponge, The Prince of Arrogon, an arrogant and he doesnt show his true face, and finally Bassanio, a kind individual who is in debt to his friend. First we start with the Prince of Morocco, some say his name fits well with moron. He did chose the right casket for him, but he didnt chose the one that held the fair counterfeit of lady Portia. This man chose the golden casket because it is gaudy, and shows wealth in its appearance. The reason for this is because he was raised with wealth always around him, he is royalty, so everything was always given to him, and he never did anything wrong because his royalty had always covered up for it. He read the inscription on the golden casket which inscribes Who Chooseth me shall gain what many men desire. Of course his mind is set when he sees the others because he makes them look less than what they are, and gold is always higher in value, he even says A golden mind stoops not to shows of dross. (Saying his mind will never stoop lower than gold). Ill then or give nor hazard aught for lead ( He will never chose something with such low wealth as lead ). What says the silver with her virgin hue? Who Chooseth me shall get as much as he deserves : Pause there Morocco, and weigh thy value with an even hand ( so he looks at silver and gold and chooses gold because it has a rich outlook). Sadly enough Morocco chose wrong, but Portia was much pleased to see him go. I believe Morocco was right, because he talks about his golden mind and that is what he is use to always seeing the rich because he hasnt seen the hazard that life gives because riches have been able to let him avoid some of them not being in the real world and striving to get money and a decent home. Now we have the prince of Aragon claimed to have Arrogant rhyme with his name. He sees himself as a different person, he says I will not jump with common spirits ( in reality he was like the other suiter Morocco ( raised rich, and in royalty). But he is different in one way, he isnt attracted to what the gold casket inscribes because he doesnt want to be a common person and chose gold because of its appearances. So he chose right in choosing silver. But he didnt choose the casket that had Portias picture in it. This is his decision as follows, I will not choose what many men desire, because I will not jump with common spirits and rank me with the barbarous multitudes. Why then, to the, thou silver treasure house. So he ignored the base lead casket because it was mere lead, it has no value, and he ignored the gold because thats what a common man would chose. So by knocking both of those out of the competition he chose the silver, because he thinks he deserves more, and he doesnt desir e like a regular man, and he will not have hazard because he is a King. This man chose right to, because just as Morocco he was raised in riches, but what Morocco didnt have that Aragon did have was a different teaching in life, telling him he isnt like a normal man, he rises above all of them because he

Mysticeti Definition and Facts

Mysticeti Definition and Facts Mysticeti refers to the baleen whales - whales that have a filtering system made up of baleen plates hanging from their upper jaw. The baleen filters the whales food from the ocean water. The taxonomic group Mysticeti is a suborder of the Order Cetacea, which includes all the whales, dolphins and porpoises. These animals may be referred to as mysticetes, or baleen whales. Some of the largest animals in the world are mysticetes. Below you can learn more about whale classification and characteristics of the whales in this group. Mysticeti Etymology The world mysticeti is thought to come from the Greek work mystà ­kÄ“tos (whalebone whale) or possibly the word mystakà ³kÄ“tos (mustache whale) and the Latin cetus (whale). In days when whales were harvested for their baleen, the baleen was called whalebone, even though it is made of protein, not bone. Whale Classification All whales are classified as vertebrate animals in the order Cetartiodactyla, which includes the even-toed ungulates (e.g., cows, camels, deer) and whales. This initially incongruous classification is based on recent findings that whales evolved from hooved ancestors. Within the Cetartiodactyla order, theres a group (infraorder) called Cetacea. This contains about 90 species of whales, dolphins and porpoises. These are further divided into two groups - Mysticeti and Odontoceti. The Mysticeti and Odontoceti are classified to as superfamilies or suborder, depending on what classification system you view. Characteristics of Mysticeti vs. Odontoceti Animals in the Mysticeti group are whales whose basic characteristics are that they have baleen, symmetrical skulls and two blowholes. Animals in the Odontoceti group have teeth, asymmetrical skulls and one blowhole. Mysticete Families Now, lets delve into the Mysticeti group. Within this group, there are four families: Right Whales (Balaenidae), which includes the North Pacific, North Atlantic and southern right whales and the bowhead whale.Pygmy Right Whale (Neobalaenidae), which includes just the pygmy right whaleGray Whales (Eschrichtiidae), which includes just the gray whaleRorquals (Balaenopteridae), which includes blue, fin, humpback, minke, sei, Brydes, and Omuras whales How Different Types of Mysticetes Feed All of the mysticetes feed using baleen, but some are skim feeders and some are gulp feeders. Skim feeders, like the right whales, have large heads and long baleen and feed by swimming through the water with their mouth open, filtering the water in the front of the mouth and out between the baleen. Rather than filtering as they swim, gulp feeders, like the rorquals, use their pleated lower jaw like a scoop to gulp in large quantities of water and fish, and then they strain the water out in between their baleen plates. Pronunciation:miss-te-see-tee References and Further Information Bannister, J.L. Baleen Whales. In Perrin, W.F., Wursig, B. and J.G.M. Thewissen. Encyclopedia of Marine Mammals. Academic Press. p. 62-73.Mead, J.G. and J.P. Gold. 2002. Whales and Dolphins in Question. Smithsonian Institution.Perrin, W. 2015. Mysticeti. In: Perrin, W.F. (2015) World Cetacea Database. Accessed through: World Register of Marine Species, September 30, 2015.Society for Marine Mammalogy Committee on Taxonomy. 2014. List of Marine Mammal Species Subspecies. Accessed September 29, 2015.

Ethics of Singapore Airlines Research Paper Example | Topics and Well Written Essays - 1750 words

Ethics of Singapore Airlines - Research Paper Example The present research has identified that Singapore Airlines has been accused of some unethical practices. In 2010, the company pleaded guilty for a price-fixing charge in front of the US Department of Justice and received a fine of 48 million US dollars. Airline’s portrayal of â€Å"Singaporean Girl† and recruitment practices are sexist and discriminatory. Furthermore, their promotion campaign asking customers to â€Å"fly with Singaporean Girl† contributes towards objectifying women and portrays the traditional stereotype of Asian women as submissive to males. The absence of whistleblowing practices and training also caused the company to suffer a scandal that involved an employee depriving the company of 35 million Singaporean dollars over a period of 13 years. Introduction It was on May 1, 1947, that Malayan Airways Limited (MAL) was incorporated, which would later undergo division into two separate entities of Singapore Airlines and Malaysian Airlines System. In the process, the paper would present various examples and cases that would assist in making meaningful conclusions. Discussion Social Responsibility In order to save Harapan Rainforest, Indonesia, Singapore Airlines, in the fall of 2010, donated 3 million US dollars to the Harapan Rainforest initiative, which is looking after the restoration and conservation of the rainforest. These funds would be utilized towards creating a workforce which could prevent illegal logging of this low land rain forest, prevent damage from any fires and contribute to the animal species conservation programs. According to Singapore Airlines, these funds are just another manifestation of the fact that the company strongly believes in the restoration of forests since forests are the world’s chief carbon stores, in the absence of which climate change and global warming would become a graver issue than ever. In an attempt to become a more ethical corporate citizen, Singapore Airlines has supported the arts community especially in Singapore and other parts of the world, through various generous donations. Some of these donations have gone to reputable arts societies of Singapore such as the Singapore Symphony Orchestra, Singapore Dance Theatre, Singapore Lyric Opera, and Singapore Chinese Orchestra. Furthermore, Singapore Airlines also takes great pride in the fact that it has served as the leading sponsor of various high profile exhibitions at the National Museum of Singapore.